Sunday, October 23, 2016

Willow Does NaNo

So. November is coming up, and y'all know what that means.

("No, we don't, Willow. Educate us, Willow.")

NaNoWriMo is almost here!

For those of you new to this blog, National Novel Writing Month -- aka NaNoWriMo -- is a project during the month of November in which aspiring writers attempt to churn out 50,000 words within the month. I know. Yikes.

I've done Camp NaNoWriMo before, with word count goals of a meager 15,000 each time, but this is my first actual NaNo. I'm nervous and excited at the same time.

Here's the thing, though: I feel like this experience is going to be very different from my previous attempts.

Why, you ask? Well.

When I did Camp, all I had to motivate/help me were a few enthusiastic cabinmates, my own inspiration, and the ever-wonderful Citali. Amazing as they are, they weren't quite enough to catapult me to success.

This time, it's a fully fledged NaNo, and I'm in a completely different environment. I've changed schools, and the one I currently go to? Has a NaNoWriMo club, Facebook group and all.

That means: twenty-something people my age working on the same project that I am, maybe encountering the same pitfalls, always encouraging and helping each other out.

Aww, yeah. This should be good.

Having a group of people to work with-- one that encompasses more than just Citali (sorry, dear) -- is going to be immensely helpful. Already we're having meetings, discussing how to plot properly and tips and tricks about characterization.

This month, I know that if I falter, if I lose track of where my story's going, I'll have someone to back me up, get me back on track.

I have a good feeling about this.

Happy writing!
~Willow

Wednesday, October 19, 2016

Willow Liveblogs "World's Finest"

Hi, you guys! Sorry I've abandoned you! But never fear, I'm baaaack~ and I have a liveblog for you! As some of you might know, I've recently (well, relatively recently, anyway) become a DC Comics fan. The first DCTV show I watched was The Flash, and I adored it. (How could I not? The main character is literally just a nerd who occasionally goes "nyoooooooom".) When Supergirl arrived on Netflix, I was like, "AWWW YISSSS" and immediately got started. This is me liveblogging the crossover between Supergirl season 1 and season 2 of The Flash. Here be spoilers, etc. etc. Anyway. Here we go!

W: I... Don't Like Siobhan, but at least Winn's not pining anymore.

W: Kara, poor baby. It's okay.

W: Casual Lucy in charge, yessss.

W: Cat. Cat. Caaaaat. How do I love thee.

W: That's The Flash's theme music and there's a red blur omg omg omg

W: "I-- Nope! I'm--" Oh, Barry. Never change, honey.

W: Speedy red dORK

W: Dorks i n t e r a c t i n g. I'm dead.

W: I /love/ the music of this episode. Casual insertions of the Flash theme --> my jam.

W: Okay, so confession: I watched The Flash before I watched Supergirl. And I actually watched this crossover before I started Supergirl. (Yes, I know, I know, don't judge. This is me liveblogging my rewatch.) Anyhoo.

W: Dude. Dude. Dude. Winn and Cisco would be /such/ good friends it's not even funny.

W: "Barry... is from another universe!" their faces argh they're so cute and Winn's reaction

W: These interactions are my bread and butter tbh. Winn is so psyched about this, and James is just "Whut", and Kara just wants ice cream.

W: lowkey (highkey) jealous James. Don't worry, Barry's got an Iris waiting for him.

W: I love Cat Grant. That is all.

W: ugh Siobhan again but w/e. Hoo boy. Soul destroying, eh?

W: giRL DON'T DO IT *Siobhan does the thing*

W: Awww, Cat. You do care.

W: SUPERHERO TEAM UP AWWW YEAH

W: Oh. Alex + J'onn reference. Sads.

W: Ah. Supervillain team up as well, then.

W: Quality James/Lucy platonic interactions! Yayyy.

W: Reckless Kryptonian golden retriever is reckless.

W: Winn is crushing on Barry so hard rn.

W: B a n t e r.

W: oh nooooes.

W: Y'know, it's weird to see /Barry/ being the mature one for a change. Nice, though.

W: Subtle piano Flash theme in the background. I love.

W: Oh. Oh. I just realized: when he says, "Me too," not only is he saying that he's glad he met Kara, he's also implying that compared to what he faces back home, this is... nice. Idyllic, maybe. Relaxing.

W: She knows Winn's name now. #characterdevelopment

W: Epic battle no. 2. Here we go.

W: "Hey, Sparky. Shrieky. Hi!" also casually feminist Barry is my jam

W: Okay, Livewire's powers are actually really cool???

W: Kara! Property damage!

W: Saved by the power of Friendship. Sorta.

W: Oh, Cat. How wrong you are.

W: "Girl of Steel"/"Scarlet Speedster" noice

W: Even Barry ships Karolsen. Hey, I bet Kara'd ship Westallen too.

W: Lookit ma supernerds, huggin' and havin' fun.

W: KAROLSEN KISS THIS IS NOT A DRILL THIS IS NOT A DRILL

W: Oh, shoot, what happened?

~the end~

So!

Pros of this episode: nERDS interacting, Karolsen getting together, endless fluff and banter, Cat Grant being perfect as usual

Cons of this episode: not enough Lucy Lane, anticlimactic final battle, too much adorableness

Happy watching!
~Willow

Thursday, October 6, 2016

November NaNoWriMo 2016: The Prologue

It's October which means it's almost November which means several things: it's officially fall, we can get out boots and sweaters and hot chocolate, and of course NaNoWriMo (2016) is coming up! This will be my second year and I am as excited as anything!

Good luck with final NaNo prep to anyone who's a Planner! Happy writing to everyone come November!

Happy writing,
Citali

Saturday, September 3, 2016

A Long-Winded Love Letter to Harry Potter and the Cursed Child

So.

I read it.

The "it" I'm referring to is, of course, Harry Potter and the Cursed Child, the script of a recent play in London. It's Rowling-approved and officially canon, and ever since it came out it's been a source of extreme controversy within the fandom.

I, myself, quite liked it.

This is actually the second post on this blog about The Cursed Child. Citali wrote one already (go read it! It's far more eloquent than I could ever be), but I actually disagree with her opinions somewhat, so here I am. This post's probably going to be less coherent and more rambly, so you've been warned.

The book's in script format, so it's like (as quoted from one of my friends) reading Harry Potter on fast-forward. That, and the fact that the plot wasn't quite as stellar as we've come to expect from Rowling, explain why it's gotten less-than-great reviews from those who've read it.

However.

The Cursed Child is so, so important in that it acknowledges the characters' flaws and traumas. Lily and James and Rose are exactly what their parents wanted, perfect friendly happy Gryffindor children, not a care in the world, their parents' perfect legacy, but Albus? Oh, Albus. Albus Severus Potter: Slytherin, friendless, tormented, lonely. Albus, who so desperately wants to be more than just Harry Potter's loser son, Albus whose only friend is the son of Draco Malfoy, Albus who doesn't understand his father, whose father doesn't understand him, who isn't sure what to do about it and--

this is important, here. Not everyone is Harry Potter, who came to school and built a Golden Trio. Not everyone is Harry Potter, who stepped into the Wizarding World and became the youngest Seeker in a hundred years. Not everyone is Harry Potter, the golden child, the hero, the star, the Boy Who Lived.

This book, I think, focuses so much on stepping out of legacies and shadows. It takes Albus and Scorpius (and even Rose, to some extent) and says, firmly, "No. We are not our parents." Who would've thought, nine years ago, that there would be a tolerant Malfoy and a prejudiced Weasley?

I like this book because it forces you to confront the fact that its characters are imperfect, are scarred. That Harry Potter (the Chosen One, the one who killed the Dark Lord) is afraid of the dark. That Dumbledore made a hideous mistake in choosing to keep Harry with an abusive family (and wasn't reading that incredibly cathartic?). That Amos Diggory, all these years later, is still aching because his son was written off as merely "the spare." Rose Granger-Weasley, daughter of a Mudblood and a blood traitor, turns her nose up at Albus because he's friends with a Malfoy.

(I'm not saying The Cursed Child is perfect. It isn't, especially plotwise. I'm just saying that it's worth reading, because it delves into what Rowling didn't. )

Another thing. As we well know, Harry Potter suffers from a lack of diversity, both racially and otherwise. The Cursed Child (the play, I mean) cast Black actresses to play both Hermione and Rose Granger-Weasley. (!!!!! I know, right? So great.) In addition, although it's been confirmed that the late, the great Albus Dumbledore was in fact gay, he's the only canonically LGBTQ+ character in the Wizarding World thus far. Dare we hope Cursed Child is taking the first steps to change that? Nothing is stated explicitly, but. Reading the book, Scorpius's and Albus's interactions feel very much like the first steps towards romance. I'm gonna be honest with you: I ship it.

(Didn't I tell you it was going to be rambly? Hopefully it made sense.  ¯\_(ツ)_/¯ )

Anyway. If any of you have read it, feel free to tell us what you thought of it!
Happy reading, as always.
~Willow

Monday, August 29, 2016

A FANGIRL GOES TO THE HARRY POTTER STUDIOS: Part Pictoral

Happy summer-is-ending, void-that-is-the-Internets-and-readers-or-dearth-thereof!
Maybe I should just introduce every post like that from now on.

Let's go ♫ sailing off to London ♫ again now, back to the wonderful Harry Potter studios in Leavesden!

**Book, tour, and movie spoilers ahead. Protego!**

The tour, you could say, has three parts (though wouldn't it be *metaphorically significant* if there were seven?): two soundstages and the back lot in between. The first soundstage focuses on sets and props, from the tiny (Harry's cupboard) to the huge (the Great Hall). The backlot is outdoors; the displays there are the outdoor props like the beloved Knight Bus. Finally, the second soundstage features the art and special effects, from the beautiful concept artists' images and models to the creepy masks or suits of special-effect characters like Aragog or Griphook.


Greetings from the Ford Anglia and huge pictures of the major actors! That's Alan Rickman and Tom Felton (Draco's face hidden by Ford Anglia). I think I just let the fangirling fill me up here, and I just stood around with my mouth open. It's already on a grand scale, and there are only a few set pieces out in the lobby.


The first (and smallest) set is right off the lobby; it's Harry's cupboard. It was amazing to see this right off the bat; it's icon and simple and a little bit heartbreaking. Again, it was only the beginning.


Possibly the most of me you'll ever see in a photo, this is my hand as we were standing in line. Buzzing with fangirling excitement, it was the most cheerful line we saw in England, and probably the most cheerful line in the world. We were all very excited, and I just love the Potterhead fandom.  C'mere, you guys. I had a blue pen with me, and I was seriously considering writing "I solemnly swear I am up to no good" or "#RavenclawPride" or "Ravenclaw is blue and bronze" on my hand. I didn't, though, partially because there were simply just too many slogans I wanted. 



There are just no words. No words. No words for the sheer reality and magic and size and scale of the Great Hall. There's a reason it's the first thing on the tour past the doors. Every visitor to the studios must say it, but this place just wows you. It's the best feeling in the world, that mixture of shock and awe and excitement and it's happening, it's happening, I'm here. Of course, this isn't the only place you can feel that, but it was truly magical. It stayed with me the whole time. 






It's the teachers. It's the sorting hat. It's the House mascot lamps. It's uniforms from every house, from first year all the way up to seventh. It's the Hogwartsians amongst us.


We reluctantly moved out of the Great Hall, because there was so much more to explore! The Yule ball outfits were stunning (ha, ha, Ron) from his disastrous dress robes to Cho Chang's beautiful dress (Cho is one of my favorites. Again, Ravenclaw pride!)



Then we moved on to costumes and wigs. This head with two Uncle Vernon mustaches pinned onto it was immensely entertaining to my strange sense of humor. That's a greenscreen glove for Dumbledore's dead hand underneath it, by the way.


More wigs! The long blonde one on the stand is Luna Lovegood's, another of my favorites. Quirky Ravenclaws for the win, of course! Her hair is beautiful, as is everyone's.


There are tables of wigs, there are shelves with more, there are racks of fancy clothes, there are matching shoes that I've never noticed watching the movies. And this can only be a fragment of the movie magic. Isn't that amazing?


It's a tiny rendition of Lupin's classroom! And the only lesson he cinematically taught! Merlin, I love that teacher... and Snape in Neville's grandmother's clothes. I mean... who doesn't?


When you see the Gryffindor boy's dormitory, you're standing a little bit under the roof of it. You look up at the timbers Daniel Radcliffe and Devon Murray and Alfie Enoch and Matthew Lewis and Rupert Grint looked up at, the timbers Harry and Seamus and Dean and Neville and Ron looked up at. It really is cozy.


What can I possibly say about the wands? They're all there. It's amazing. You can see which characters' wands really match them: Dumbledore's elder wand, Bellatrix's claw, Voldemort's terrifying bony thing. Other wands are plainer, like Ginny's which is the second from the right here. I rather wish hers had shown a bit more of her personality, but it's beautiful all the same.


It's the Gryff common room, with the Prisoner of Azkaban costumes! This place is the coziest thing possible, with so much detail, from the paintings on the walls to the door to the stairs up to the Gryff boys' dorm.


Lupin. Tonks. Sirius. I love how they're stood so that it looks a bit like an Olympic gold, silver, and bronze pedestal. This is only partly because it means Tonks is gold, Lupin silver, and Sirius bronze. Although I love them all; this isn't quite my ranking order, either. It would probably be Lupin, then Tonks, then Sirius in my book, but Lupin and Tonks are close in rank.


Beloved Alan Rickman, and less-beloved Snape. The potions classroom is scarily detailed.


It's Dumbledore's office! Look at all those Headmasters. Dumbledore's the washed-out figure in the bottom right.


This is a cage with all the Goblet of Fire props. Look. At. That. It's insane.


The beautiful and iconic, if nonliterary, clock from Prisoner of Azkaban. It's huge.


A big look at a ton of large practical props, with the greenscreen area in the background. I love the Ravenclaw moving staircases. 



The beloved Weasley Burrow. There are things here that actually move (mechanically), it's amazing.


It's the Hogwarts Express! Look at this scarlet glory. It's beautiful. I wish I were on there come this September first.


Everything from the Yule ball costumes up to this point were in this big main hall. Before I went aboard the Express, though, I just had to stop and take one picture looking back.


Hogwarts trolleys, each belonging to a different student distinctively. This is Luna's of course. Check out that aqua footlocker! 


In a cabin at the end of the express. All was well. (Don't talk to me about Cursed Child!)


This gave me so many feels... it's his broken glasses. From fifteen years ago, can you believe?


I promised myself I'd only make very important images very large; I'm getting carried away. But just you look at all these paper goods! I want those textbooks...and all that is just beautiful.


What wouldn't I give to visit a bookstore with a shelf like that? 


I'll end this post here. Don't worry, I'll pop you all off to the rest of the tour (we'll go to all destinations, just nothing underwater, haha) later! 

A big thanks again to people who put up with long-winded and philosophical or pictoral posts. Especially to those people who put up with posts who are also the people who took me on this trip! And especially to Lauchlan for the travel blog format. Thanks for understanding.

Happy imagining!
~Citali

Harry Potter and the Cursed Child (Or, yes, it's problematic, but the magic goes on)


Let's talk Potter.

Again.


I don't want to say that the HP fandom has been dead since 2007 (when Deathly Hallows came out) or even 2011 (when Deathly Hallows Part 2 came out). Because it hasn't been. There are intriguing fan theories, beautiful fan art, the continuing lives of the actors. There is and was the site pottermore.com, the controversial quasi-canon source of extra-series information.


Willow started reading Potter around 2009. At least, that's when she started talking about it. [correct me if I'm wrong] I started reading Potter in the summer of 2012. It was part accidental, part a long time in the making. My family had owned Sorcerer's Stone for a while. I finally picked it up, and I was hooked. I went through the series in about two weeks, averaging a day for each book: I'd start a new book in the morning, read it during the day during breaks, and finish it usually by the time I slept. Neither of us followed the fandom from the first book release. But now we're both die-hard Potterheads, and I don't think either regrets it. I am a Potterhead.

But The Cursed Child is changing all that.

Primer: Harry Potter and the Cursed Child is a new play. It's Rowling-approved, technically canon. It's a script published on July 31, 2016 (because that's Harry's birthday, and also Rowling's. Though obviously not this year). It's a two-part, four-act play currently being performed in London. And it's a Thestral in the room for the fandom, and the fandom is doing some weird discourse about this.

Here's the problem as I see it, based on the discourse of other people who see it. The magic of the Harry Potter books is based on the fact that these characters do not just exist in paper and ink. They live. And Hogwarts and the Wizarding World live, too.

**Very Mild Spoilers**

Harry Potter is problematic. People can write essays on his flaws and his actions and his choices and his bumping into suits of armor when looking at maps and the significance of this in the revealing of his innermost thoughts. (Has anyone ever read Harry Potter and Philosophy? It's actually a quite fascinating set of essays.) Ron Weasley's friendship can be expanded by people who fill the spaces between the lines and between the scenes and between the chapters with day-to-day life at Hogwarts and the power of friendship and platonic love between two boys--men--who might as well have been born brothers. Hermione Granger's very canonical descriptions can be analyzed to their core by scholars or by fangirls or by the beautiful people who can be both or by the artists who bring their vision of Hermione to their very own lives.

Joanne Rowling took an idea that came to her on a train to Manchester and expanded it to fill seven volumes, thousands of pages of words that built a world hiding just behind a platform barrier from ours. And she set it loose into the world, and people built their own magic upon it. And since 2007, people have been drawn into the world of those books. People have been building worlds inside worlds, the stories of unvindicated characters.

And we were Book Eight. "We Are Book Eight" is a slogan of the Harry Potter Alliance. It's an organization that gathers fans of fantasy to bring them together in acts of real-world activism, fantasy expanding into the real world, love of community and words weaponized. "The Weapon We Have Is Love."

But now Book Eight is a position that's taken, a position usurped by a play that comes in nine years later. A position that was filled before it came. A position filled by the millions of pages of fanfiction and fan art and headcanons and ideas and activism that is Book Eight.

And all that. Gone. Vanished like potion out of Harry's cauldron in Snape's dungeon. Officially noncompliant. Cather Avery's Carry On, Simon after Simon Snow and the Eighth Dance. The feeling of finality of headcanons and fanfictions that all became AUs at the crack of midnight on July 31st.

People have written about the nextgen. Rose Weasley. Teddy Lupin. Albus Severus Potter. Scorpius Malfoy. Poof. Avada Kedavra.

So I'm against Cursed Child, on principle. I wasn't sure whether I wanted to read it or not.

My takeaway: Cursed Child has the same kind of impact as Pottermore.com. It's technically canon. Fanon doesn't agree. And while I was doubtful at first, I agree with fanon.

I want to read canon where Harry is no longer a main character. Where the nextgen is about the nextgen. Where the children of Dumbledore's Army have, like their audience, accepted the problems of the previous generation and moved on to bigger and better things. Where Teddy Lupin unites the Blacks and the Potters and the Weasleys. Where Albus Severus's name is a homage to two problematic headmasters who did wonderful things and terrible things and both for wrong reasons and redemption is in the form of a hero's son's name. Where not all the drama happens around the Quidditch field. Where there can be Slytherin hangings in the Room of Requirement. Where you don't need a time-turner to explore new worlds. The canon that's already been written by fans in the void of online and the caverns of seventeen-cent notebooks and in the King's Cross stations that are imaginations.

But I read The Cursed Child. In an evening.

And, well, objectively, I disliked the first three acts (of four). In hindsight, that might be due to the script medium, a medium I feel maybe didn't capture the magic in its stage directions and cast descriptions that can be built up by a few well-written full sentences or a shot in a movie. It might be due to the time-travel plot that I felt was a little bit cliché. It might be due to the characterization, where every returning character felt like a shadow (Ron, Ginny) or a parody (Hermione, Harry). And all the opportunities that fans have written for Ginny's strength or Ron's imagination or Harry's hope or Teddy Lupin's power to unite families or anyone's opportunity to build interHouse relationships weren't there. It might be due to the worldbuilding and the flashing through different realities that seemed almost without plot. It might be due to the fact that I didn't really like it from the beginning, and I went in with a preconception, something I regret.

But the fourth act got better. And it redeemed, for me, a little bit, the plot. In the fourth act, I was reading to find out what happened next, not to move through pages. This feels hollow and short, but I quite liked the ending. Considering the beginning, I think it was a good ending.

But it's like the How To Train Your Dragon movie adaptation. I don't think they're the same characters. I don't think Cursed Child Ginny is Original Ginny. I don't think Cursed Child Draco is Original Draco. Because Original Ginny would have grown up differently. Original Draco would have been redeemed.

Here's what I'm doing following The Cursed Child.

1. I've read the book. I've acknowledged its existence and its impact. I've noted that objectively I disliked the book at first, but it got better in the end.
2. I will continue to recommend Harry Potter as one of the best things I've ever read. I will recommend Harry Potter as the original seven. I don't think I will recommend The Cursed Child.
3. If I want to write fanfiction in the near or distant future, I will write is as if J. K. Rowling's final words on the subject were on Pottermore.com or in the "All was well" of the epilogue.
4. I will continue to Be Book Eight.

What are you doing?
~Citali

Tuesday, August 23, 2016

I'm Willing to Wait For It: Books and Movies To Come This Fall

Fall is my favorite season. Partly because of leaves and hot cocoa and rain, but also because, for some reason, it's when some of the best books come out!

Not all of these come out this fall, of course, but here are the books and movies I'm really waiting for. Let the pre-hype begin!

Gemina by Amie Kaufman and Jay Kristoff. October 18, 2016. This is the second book in a new favorite (favorite used comparatively, similarly to best as in "She's one of my best friends" as opposed to superlatively, as in "She's my best friend") trilogy, once again *sigh* introduced to me by the wonderful one and only Willow, which can only be described as SPACE OPERA AWESOMENESS. Well, not only described as SPACE OPERA AWESOMENESS, but I'd argue that that's pretty accurate as well as relatively comprehensive. Gemina follows a new pair of characters in a new setting in the same 'verse (get it, universe, it's sci-fi... no?) and looks just as amazing as its older twin. I'm really hyped!

Lodestar by Shannon Messenger. November 1, 2016. This is the fifth book in the also favorite (comparative adjective) Keeper of the Lost Cities series, recommended/thrust into by the wonderful one and only Lauchlan. It is fantasy perfect if you love, like, or have never read Harry Potter. By which I mean, of course, that it is amazing and everyone should read it. Telepathy, elves, magic-as-science, and fun characters that can make you laugh in the midst of a kidnapping if they wanted to. Lodestar follows their increasingly intense adventures in this series that just hasn't let up since its first book.

Fantastic Beasts and Where to Find Them. November 18, 2016. A cinematic return to the Wizarding World following a British wizard, famed Hufflepuff Newt Scamander, in 1926 New York City. American wizards, people! Do I have to count the reasons I'm excited about this? 1. Harry Potter universe. 2. American history. 3. American wizards. 4. Hufflepuff recognition (hey, I'm a Ravenclaw, but we've got to stand with our less-recognized-House buddies)! I want to know what mischief this guy can raise, what amazing new magic we'll see.

Moana. American Thanksgiving (November 24, 2016). This is a Disney princess movie whose MC are a body-positive, girl-powered, absolutely beautiful girl named Moana on a quest to become a master wayfinder, fulfill her ancestors' quest, and save her people. It's based on Polynesian mythology and history and attempts to imagine the answer to the question of the end of the Oceania exploration across the wild Pacific. If that's not enough reason for you to be excited for the newest Disney princess, the music was also worked on by the amazing Lin-Manuel Miranda (of Hamilton fame). From the Hawaiian tunes to the amazing heroine to the Disney, there's little in this movie I'm not looking forward to!

Rogue One. December 16, 2016. Remember the Star Wars original trilogy? **Spoilers** Luke Skywalker's heroic Force-assisted destruction of the Death Star would not have been possible without the plans that Princess Leia risked capture to bring to Ben Kenobi. Rogue One is a return to that time in the Star Wars universe to tell the tale of rebel Jyn Erso and her accomplices. Ordinary people doing extraordinary things, these previously unsung heroes (though fictional, of course) enabled the celebrity deeds of the original trio. Not to mention that it's sounding like this is a female, unconventional, non-Force sensitive heroine who made this all possible.

What are you waiting for? What do you stall for? (We won the war, what was it all for?) Admittedly, December's not quite fall. However, this is my wishlist!

Happy reading and watching!
~Arianne