Thursday, July 13, 2017

Poet Sarah Kay

"If I should have a daughter, instead of 'Mom,' she's going to call me 'Point B,' because that way she knows that no matter what happens, at least she can always find her way to me."

So begins, well, probably a lot of what's been written about Sarah Kay, a spoken word poet and one of the coolest writers ever yall need to listen to her *coughs* and also her poem "B."

Sarah Kay is a poet. But before you think about dusty books and artistic angst, stop. Sarah Kay is a spoken word poet, drawing out sentences and phrases and puns into the thin air of auditoriums. Though she does have books out, they're composed of poems she's written originally for recitation, so the words are phrases that tumble around the edges of illustrations, not marshalled into anyone's ideas of sentence structure or brevity.

What really gets me about her poems is that you can watch her and see her put her whole body into it. Whether she's pacing around at TED stage or miming Whole Foods workers, you can tell she is speaking from the heart.

Whether she's working with her creative partner Phil Kaye, dipping in and out of perfectly planned unison and rhyme scheme as they discuss how they started writing together; or she's speaking into the middle distance, a hint of sadness in her voice as she talks about where she was on 9/11; or she's reciting love poems that aren't sappy, aren't angsty, just are slices of a life next to someone else: Sarah Kay is magical.


Even if you don't consider yourself a poetry person, I'd encourage you to check out her YouTube performances. Who knows, spoken word might become something you love just as much as she does. She tells us her poetry isn't an angry open letter; instead, it's a love letter to words and performance and loving what you do. It's beautiful to watch.

"When I'm inside writing, all I can think about is how I should be outside, living. When I'm outside living, all I can do is notice all there is to write about. When I read about love, I think, 'I should be out loving.' When I love, I think, 'I need to read more.' I'm stumbling in pursuit of grace." —from "Paradox" by Sarah Kay

Happy listening,
~Citali

Friday, June 30, 2017

Pride Post II

Hi, guys, it's Willow again. It's still Pride Month (yay); here's Pride Post the Second.

This post is really similar to my last one (LGBTQ+ characters I love). The next one's going to be characters who really should be queer, so stay tuned for that!!

Okay. Let's get started.
  • Alex Fierro (Magnus Chase and the Gods of Asgard)
    • Have I ever mentioned how much I adore what Rick Riordan's doing with his books? No? Well, I adore what Rick Riordan's doing with his books. 
    • Alex is trans and genderfluid. She changes pronouns several times during the novel; this isn't made into a big deal.
      • She even has a conversation with Magnus about this. He asks her if using they/them pronouns wouldn't be easier. Her reply? "For who, you?" (I Love Her So Much.)
    • Alex is snarky and irreverent and gives Magnus hell. He is Immediately and Extremely Smitten. (Which, just saying, means that he ain't straight. Nice.)
    • Alex is an enormous step forward for queer representation in mainstream media. 
      • And she's not just a side character shoved in for token diversity. She's a well-rounded, three-dimensional protagonist who's integral to the plot of the story. Four for you, Rick Riordan. You go, Rick Riordan.
      • She's also (most likely) Magnus's endgame love interest. This is the first time Riordan's written a queer romance featuring main characters. Sure, there's Solangelo and Emmie/Jo, but none of them are exactly mains. Apollo/Lester's a Useless Bisexual, yeah, but he doesn't have a love interest. 
    • Unsurprisingly, Alex is a fan favorite. Here's hoping we see a lot more of her in the future.   
  • Lark and Rosethorn (Circle of Magic, The Circle Opens, The Circle Reforged)
    • Lark and Rosethorn are Everyone's Favorite Moms, to be honest.
    • Lark is sweet, maternal ace lesbian who takes one look at the Circle kids and says "yes okay these children are mine now", an ex-acrobat turned dedicate who will always take the outcasts under her wing; Rosethorn is a thorny (ha) gardener who seems prickly at first but softens for her love and her kids, who doesn't put up with condescending pricks and shuts them down superbly, a mage with immense power who's willing to die (who has died) for the right cause.
      •  Rosethorn's also polyamorous, and it's never a big deal. It's just a part of her.
    • Anyway. They are the Circle's moms; their little home at Discipline is a haven of warmth and domesticity. 
      • To the Circle, Lark and Rosethorn are family. Home. Everything a ragtag bunch of misfits could've asked for. 
    • No "Bury Your Gays"-- Rosethorn dies, but she gets over it. Y'know. As you do.
    • They're actually the only long-term relationship in all of the Emelan 'verse-- Daja and Rizu don't last very long, Briar's flings are just that, Sandry's aroace, and Tris isn't interested in romance at the moment.
    • Tl;dr cute interracial gay moms of the Circle; I'd die for them but they can defend themselves so I wouldn't have to; the best teachers/parents the kids could ever have asked for.
      • <3
  • Captain Jack Harkness (Doctor Who, Torchwood)
    • How do I even begin to describe Captain Jack Harkness?
      • Just kidding. I don't even like Mean Girls that much.
    • Jack Harkness is... well, he's Jack Harkness.
      • He'll flirt with anything that's physically able to (and old enough to, of course) flirt back. Gender? Not a problem. Species? Even less of a problem.
      • Seriously.
      • What does Jack's flirting sound like?
        • "Hi. Captain Jack Harkness. And you are?"
        • Most fall for it, actually.
      • It's not even that he doesn't have standards, he just... thinks everyone's pretty.
      • :)))
    • I've only watched one (1) episode of Torchwood, so most of my knowledge of Jack is from his days with the Doctor.
    • Jack is a conman turned reluctant hero. He's disillusioned but still tries to do good. He's a natural leader and ~very~ charming; that doesn't mean he's very good at actual friendships, though. A bit cold, Jack has some attachment/commitment issues, coming off as selfish at times. Still, Jack's a good man. He's been through a lot (so much, poor baby) and come out without losing who he is.
    • Also? He's the polar opposite of the "Bury Your Gays" trope. He's physically incapable of dying. That's nice.
Happy Pride Month, you guys! <3
Willow

Friday, June 23, 2017

A Pride Post

Hey, guys, Willow here.

As you probably (hopefully) know, it is currently the month of June-- Pride Month. I've decided to make a post (more than one, probably, stay tuned) in order to honor and celebrate that.

So, without further ado: Pride Post the First!

This post is a list of some of my personal favorite LGBTQ+ characters in fiction. Unfortunately, there aren't as many queer characters in mainstream fiction as there should be (representation is important, kiddos!); making this list was way easier than it should've been. There weren't too many to pick from.

Here we go, in no particular order:
  • Katsuki Yuuri (and, by extension, his trophy husband Viktor Nikiforov) (Yuri!!! on ICE)
    THEY DESERVE THE WORLD
    • Yuri!!! on ICE is one of the purest, most adorable things I've ever seen.
      • No, seriously.
    • Viktor and Yuuri are in love. I think I am in love with their love.
    • One of my favorite things about YOI is that it was created to be a safe space; the story takes place in a world without homophobia. 
    • So here's how this works:
      • Katuski Yuuri is a Japanese figure skater with anxiety, almost no self-confidence to speak of, and a massive crush on a figure skating living legend. Reeling from recent tragedy and crushing failures, he goes back to his hometown of Hasetsu, only to be surprised by...
      • ...Viktor Nikiforov, aforementioned living legend, a household name and heartthrob who's lost his inspiration and can't seem to find a family.
      • I'll let you find out what happens next.
  • Alex Danvers (Supergirl)
    • Listen. Supergirl season 2 was a hot mess. Don't even try to deny it. 
      They make each other so h a p p y
      • There were, like, two (2) good things about it. Three if you squint.
      • One of those good things? Alex and Maggie.
    • Alex Danvers is a lesbian. She was not aware of this until she met Maggie Sawyer.
      • Awww.
      • Team Sanvers, always.
    • Seriously, though. Alex's coming-out arc was the best part of the season.
      • It was heartfelt. Honest. Genuine. (Unlike, hmm, let's see, the entire rest of the season. Go die, Mon-El.)
    • Alex lights up whenever she sees Maggie. Maggie makes her the happiest we've ever seen her.
      • Historically, Alex has a tendency to put a lot of weight on her own shoulders-- taking care of Kara, being the responsible older sister, being the loyal DEO agent.
      • Maggie... Maggie is Alex letting herself be selfish. Letting herself be happy.
    • And while I'm always and forever salty at the Arrowverse in general for stealing Bat-characters all the time (Maggie Sawyer? One of Batwoman's ex-girlfriends.), Maggie has made a home for herself on Supergirl.
      • Unfortunately, she's not going to be a season regular next season (whyyy), but as of the season finale, she and Alex are in a committed, beautiful relationship, and [spoiler ahead] Alex proposed.
  • Loki Laufeyson (Marvel)
    • Look, I'm going to be completely honest. Loki is one of my favorite Marvel characters
      look at my son/pride is not the word I'm looking for
      ever-- the trickster with a silver tongue and not-so-good intentions? Sign me up. 
      • Like. He is my garbage son and I adore him.
    • Also, he's pansexual and genderfluid.
      • I mean. This isn't necessarily new or unusual-- Norse mythology, anybody?
    • But considering Marvel's track record with diversity (hint: ugh), Loki is... good. 
    • He's not quite like the other characters on this list. He's not an innocent child who deserves the world. He's a lying trashcan who probably shouldn't be trusted.
      • <3333
    • Well, actually, that previous bullet point isn't quite correct. Here's a brief rundown, as best I understand it:
      • There was evil-Loki. Evil-Loki died.
      • Loki was reborn as a child-- pure, innocent, not a villain.
      • That child? Killed and possessed by evil-Loki.
      • So now Loki is... somewhere in between. He feels guilty about what he's done. But he's also a liar, a trickster, by nature and by habit. The important thing: he's trying to do good.
      • I love him so much.
    • Loki is flippant about his gender and sexuality. Sometimes he is Loki, and sometimes she is Lady Loki. 
      • There's no internal anguish, no fear of homophobia, no self-evaluation.
      • Loki just... is Loki. And I love him for it.
These are just my top 3-- I noticed the post was getting pretty long, so. Yeah.
There's definitely going to be a sequel, though, so stay tuned for Pride Post the Second (probably featuring the likes of Alex Fierro, Keladry of Mindelan, Angela and Sera, and Sara Lance).

Happy Pride, everyone!
Willow

Bonus: the Babadook


Thursday, June 15, 2017

Still Star-Crossed

Hey, guys, it's Willow, for the first time in forever. Sorry about sporadic updates recently! I've been busy with, y'know, getting an education and all that good stuff. But now that school's out, it leaves me free to do as I please... within reason, of course.

So.

"Still Star-Crossed" is a (relatively new, actually) TV show on ABC. It's a post-canonical adaptation of Shakespeare's Romeo and Juliet. Which, y'know. Catnip for nerds. Well. My kind of nerd, anyway.

So I watched the first episode. Here are some of my thoughts. Spoilers ahead, obviously.

Pros:
  • The cast of this show? Incredibly diverse. About half of the main cast is POC; the main character, Rosaline Capulet, is a dark-skinned, beautiful Black woman. Prince Escalus? Black. Romeo Montague? Black. Excellent. I approve.
  • This is... exactly the kind of overwrought, historically inaccurate, theatrical Shakespearean drama that I will probably always fall in love with, to be honest.
  • Listen, I am so glad they made Count Paris a jerk. (So far, anyway.) He was an utter creep in the original-- an adult man, repeatedly asking for the hand of a teenager? Yikes. At least Romeo was somewhere in her age range. They've aged the lovebirds up in this, of course, but it's still sketchy.
  • The mob/brawl after the funeral? Good.
  • Ohhh, that scene with Rosaline and Escalus in the church. The softness in his gaze, the fondness in his voice, the helplessness that they can only try to escape-- yes.
  • Isabella. Just... Isabella. Dang. Give me all the cutthroat, ruthless women who will do anything and everything for their city. "Escalus, Verona is burning."
  • Escalus quietly cutting out his own heart to save the city he loves and is responsible for? Absolute perfection, my friends.
  • We didn't get too much of them, seeing as they're dead and all, but I actually enjoyed the Romeo/Juliet dynamic. Cute.
  • Rosaline and Livia. Everything about them: Rosaline, who would do anything at all for Livia's safety and happiness, who just wants to live a life where no one tells her what to do, and Livia, who doesn't understand her sister's quiet dream, who could be happy with a husband who loved her, who wants nothing more than to marry and live out a normal life.
Cons:
  • Listen. At this point, I literally could not care less about Benvolio Montague. Give me a personality, Beardy McBeardFace.
  • Same thing with Ben/Rosaline. They have no chemistry (yet), no reason to like each other (yet), and just... meh. 
  • I think they might've gotten Benvolio's and Mercutio's personalities switched. Ben's the steady one, the designated driver, the Mom Friend and responsible adult. Mercutio, on the other hand? He does it for the Vine, he's an actual meme, and he will Fight Anyone.
  • I'm kind of uncomfortable with the fact that Rosaline and Livia (dark-skinned WOC) are the servants of the Capulets, who are (drumroll, please) white. Like, I understand it as a narrative decision-- Ben and Rosa are both looked down on, they have to obey, they want a better life, yadda yadda-- but still, it skeeves me out.
  • Why couldn't this show have given me Benvolio Montague and Rosaline Capulet, heirs of their respective houses, fiercely proud and loyal and also rock-solid and trustworthy and willing to do whatever it takes to keep Verona running smoothly? Who unwillingly agree to marry and find that they have more in common than they thought? Why?
  • Related: love triangles are the spawn of evil and I despise them. Grr.
Final Rating: like, 3.7 out of 5 stars. Still, I think I'll keep watching. 

And there you have it. "Still Star-Crossed", ladies and gentlemen.

Happy summer! 

Willow

Thursday, June 8, 2017

Mr. Penumbra's 24-Hour Bookstore by Robin Sloan

Clay Jannon, unemployed graphic designer, wanders down a suspicious-looking street and finds the interestingly-named Mr. Penumbra’s 24-hour bookstore, where he is hired as the night clerk. Over time, he discovers the bookstore: a small and quirkily selected independent section remains up front, but beyond that lies what he calls the “Waybacklist” shelves: three stories tall, reachable only by a ladder, and known only to the database that lies on an ancient Mac at the front desk. He meets the patrons of the bookstore: the occasional person who works at the nightclub next door, elderly visitors with mysterious encrypted membership cards who borrow and return books from the Waybacklist, and one very special Googler who admires his graphic design and coding skills. Eventually, he finds himself drawn into a mystery including his employer Mr. Penumbra, Google, the Waybacklist, and the very origins of books themselves.

 This is one of my favorite books. While it takes place in San Francisco, New York, Nevada, and even the Google campus, the worldbuilding of the bookstore and Google and even Clay’s apartment is stunning. It might be literary fiction, but it evolkes all the wonder of, say, YA fantasy. It’s a quirky story in everything from the plot to the dialogue to the settings. Honestly, who wouldn't want to work at a 24-hour bookstore? A cryptic one that's one big puzzle? Who wouldn't want a cast of characters in your life that includes a quirky yarn museum curator, a animatronic-building artist, and a peculiar bookseller mentor? 

If you’re a fan of character-driven stories, however, this is not necessarily for you. Some tropes and some flat characters make unimportant appearances, and the plot is propelled less by any one character’s genius than by some seemingly out-of-the-blue eureka moments.
 The cover is cheery yellow and minimalist, and the text is whimsical—it made me want to pick the book up after it had been recommended to me. 

 5/5 stars

P.S. This book contains one of the more accurate representations of Silicon Valley in popular fiction.

Happy reading,
~Citali

Thursday, May 25, 2017

Citali's Library

Have I mentioned I love libraries?

(a joke. That's a joke. I love libraries. I say this all the time.)

Like, a lot. Unironically. Unconditionally.

SO last summer I volunteered at my city library, and to be not cliché, it wasn't exactly life-changing. But it made me think things.

I worked in the children's section, as opposed to adult or circulation. However, they don't let volunteers sit behind the reference desk and answer questions and sign kids up for summer reading. Whether or not it seems logical, you need a master's in library science for that. I also wasn't shelving books, though I feel like I'd be good at that, being a longtime patron of the children's section (the wisdom of years: that the L-M and M-R shelves are where everything that's worth anything is. Pretty much). What I did was everything else. My fellow four volunteers were almost-not-quite found family; I figure that once you pick up speech patterns from someone, you've become at least a level 2 friend (a joke. That's a joke). There was a performance series where we volunteers would help set up stages for puppet shows and jugglers and science shows, then count the attendees—adults and kids—with little clickers. Memorably, we performed in one of them, as part of an opera, albeit a 30-minute one. We stamped summer reading achievement certificates with the librarians' seal of approval. We lugged boxes of the free books given out for summer reading. Memorably, we spent one afternoon session sanitizing laundry baskets full of baby toys (yes, the ones that little kids put in their mouths. It was fantabulous //s).

But what I spent the most time doing, well... it didn't seem like a very library thing to do. For hours of those afternoons, we voided books, removing them from circulation. Some of them were ripped, drooled on, oil-stained. Some were wholesale ripped from their bindings. But others? They looked like they've been gently used, still usable. Nevertheless, they were treated all the same: their barcodes blacked out, their library labels removed. They were Tetris-ed into circulation carts. And thrown (tossed. Stacked. Fine, placed). Into. Dumpsters (garbage! Trash cans! Or at least, bins).

To be fair: 1) Since they were library property, they were government property. And that means that when they're declared void (and when the library/government has to buy new books) they have to go. Otherwise librarians could void books randomly so that they could keep them. Or sell them. 2) I guess libraries have to toss out things sometime. Some of those voided books were pretty nasty. 3) And some of the books in better (read: spotless, imho) condition were Tetris-ed into boxes, not carts, and taped up and shipped off to libraries elsewhere.

However, those didn't really change the fact that, when I came out of my summer of volunteering, I thought ever-so-slightly less of my library.

But after the summer, I spent an unusual amount of time in other people's libraries: schools, other muni libraries. Whether it was spending time in the school library studying and not touching a page of fiction, or meeting up with classmates in the teen section of their municipal library to work on group projects, or even visiting a library comic-con, it made me think things.

In the world we live in, every bit of government spending is being thrown into question. But libraries, public ones, seem like one of the best and at the same time craziest things you can do. My library isn't huge and urban, and yet I have to stop myself and appreciate what my citizenship gets me. A building with books and computers that you can use for massive blocks of time. Museum passes. Books that have come out mere weeks or even days ago. Wi-fi. Readings. Art. Summer reading. The Oxford English dictionary. An online catalog. A juggler. A Triwizard Tournament.

And that's not even counting what other libraries can do. There are libraries that lend out cake pans and shared seeds and sewing machines. 3D printers and virtual reality headsets. Hosting comic-cons.

My library is limited by the rules of a county system—it can never shut down an entire branch and host a comic-con, for example. But it's also empowered by the thousands of books it can hold in collection and retrieve from different libraries around the area. The catalogue might have been a little clunky. But the fact remains that there are so, so many books I can access with my keystrokes, even months before they're published, without the interlibrary loan. And I might have to disinfect a few baby toys. But for all those two- and three-year-olds who get to have those toys for that time while they're getting read to, sure.

I might have huge, grandiose thoughts-with-a-capital-T about libraries and sharing and whether that playtime and storytime with those disinfected toys will change a life or make a future author want to write. But honestly, even with all the slightly problematic destruction of books or the large quantities of baby saliva, libraries are so, so worth it. And I will be supporting them all the way.

Happy reading,
~Citali

Thursday, May 18, 2017

Free Comic Book Day

Hey readers,

Sorry about the lack of actual bookish posts lately. Willow and I have just been pretty busy lately, but we're working on bringing all the fangirly things back onto our schedules.

That being said, last week I mentioned the Free Comic Book Day haul I got!
I bought three books: one was a graphic novel called Space Battle Lunchtime and two were more traditional-length comic books, Godshaper and Lumberjanes (both were the first volume).

Godshaper imagines a world where one day, all the "technology that made life easy" just disappeared. In its place, suddenly everyone had a god with them. They weren't gods in the traditional sense, but more like ghostly companions: glowing, colorful, and attached to each person. They were like "personal bank accounts," with affluential people having larger gods. But there are people without gods; they're called Shapers. Ennay's one of them, and he's lived his whole life knowing that everyone needs him to service their growing gods but no one wants him in town. But more importantly, if he wants to have a career as a musician, he needs a god at his side to seem normal.

Godshaper's art is beautiful and colorful, with a super-interesting concept. I'll definitely be following the story as it comes out! The gods and their humans are an interesting metaphor too.

Lumberjanes is a fluffy story about a group of girl friends who venture into the wilderness during summer camp, only to be met by ghostly supernatural occurrences. It's cute, simple, and keeps the ghost-story vibe light, just like a friendly campfire story.

Space Battle Lunchtime is the story of Peony, who bakes for a lowly cafe. But when she's zapped into orbit on a spaceship, she soon discovers she's the newest contestant on an intergalactic cooking show, Space Battle Lunchtime. The graphic novel chronicles her adventures dealing with her fellow contestants, who all think her Earthling lack of knowledge of intergalactic standards is cute and naive. She meets with grudging acceptance and jealous hatred, but it remains to be seen if Peony has a chance to use victory on Space Battle Lunchtime to propel herself to intergalactic pastry stardom!

All of these comics are cute, quirky, and unconventional. I'd definitely recommend them to all ages!

Happy reading!
~Citali

Thursday, May 11, 2017

Housekeeping

Hello, lovely readers!

Happy Thursday! As finals approach, we're taking a quick break from our ~regularly scheduled~ well-planned-out post programming to just give a bit of an update on what's going on at the Archives.

  • Willow and I did NaNo together this past April Camp NaNo. For the first time, Willow captained our cabin, and for the first time, we both won Camp with our word goals of 10k. (I'm not saying those were related, but those were definitely related). 
  • I also did a more loose Camp than I'm used to. Usually, it's a lot easier for me to write during Camp in April and July than it is in November, so I attempt my best writing in April. However, I realized that the story I was writing... wasn't really going a direction that was something I wanted to pursue for more plot events or for revisions. I did get to write 5k on a story that I really love, and that I want to keep writing, though!
  • Don't worry, I'm still working on the Reading Without Walls challenge. There will be booklists!
  • Free Comic Book Day was celebrated the first Saturday this May! I picked up some indie comics and also a v. cool graphic novel (which will feature in Reading Without Walls #2) for 20% off at my friendly neighborhood indie comic bookstore (which is, in fact, a real thing).
  • One of the cornerstones of solarpunk lit for YA is The Summer Prince by Alaya Dawn Johnson, set in futuristic Brazil. I recently started reading it, and am awed by the worldbuilding. 
  • Some posts to come: Reading Without Walls, Camp NaNo reflections, an analysis of grammar in fiction inspired by St.Owl's blog, some thoughts on short stories/novelettes, and some vague ideas-that-aren't-posts-yet about libraries and communities (of course).
With luck, we'll have a proper bookish post next week.
Until then, happy reading!
~Citali

Thursday, May 4, 2017

Literary Tourism



Not to beat the dead horse into the ground, but, as you know, I went to England over the summer. When asked why I chose to go to London (because the trip location was my choice), I usually named one of or all of the following reasons:
  1. Foreign editions of books that also were readable (because I read only English).
  2. No language barrier (although I had rather underconsidered the barrier of accents).
  3. Harry Potter
One of which is literary tourism in and of itself. But as we were in England, I found that, voluntarily or involuntarily, I was being a literary tourist beyond buying foreign editions (actually only one foreign edition, which I will come back to later) and visiting the aforementioned dead horse, the Harry Potter studios, which I will stop talking about now.

We went to Stonehenge and the white chalk horses near Bath and visited the British Museum in London. However, I also visited an amazing and amazingly large bookstore in Canterbury, the site of Chauncer's Canterbury Tales (which features pilgrims telling tales to each other on their way to the Canterbury Cathedral).

And amazing sites aside (because they were amazing) I couldn't stop thinking that, canonically, Richard Campbell Gansey III (of The Raven Cycle fame) walked the circle around Stonehenge and saw the white horses and was probably making nerdy notes in a notebook about ley lines the entire time. I picked up a book about ley lines. In a non-Ganseylike way, I felt it was a Ganseylike thing to do (which you'll understand if you've read The Raven King; there's a passage about Gansey thinking that what most people think of as Ganseylike doesn't really get at his essence, just his outside. Ley lines are part of his outside).

Nota bene: I bought a British copy of The Raven Boys, since I don't own a copy and I felt that I'd been thinking about the books an unusual amount (I didn't get any HP editions because I love Mary GrandPré's covers and chapter illustrations, which aren't in the British editions). Reading it, I rediscovered how aggressively car-related it is. Why, you might ask? Because "tyre," "kerb," and "petrol," all aggressively car-related words and aggressively British words, are very prevalent. It's weird to hear characters with American Southern accents "say" "petrol," to my American brain, anyway.

I kept thinking about how Hermione-like I was being as I enthused about YA foreign editions in a Waterstone's. I thought about the Hogwarts Express as we took the train from London.

Literary tourism is about seeing where authors wrote, where filmmakers recreated, and where characters walked, both in-text and out. I'm all for walking the same ground as famous people, but to walk the same ground as fictional people is pretty cool too.

Happy reading!
~Citali

P.S. Here's a John Green.
https://www.youtube.com/watch?v=xHfYj48mDCY

Thursday, April 27, 2017

Reading Without Walls

Have you heard of Gene Luen Yang? You might have read Boxers, Saints, or American Born Chinese, all graphic novel titles that have won tons of awards! They're different takes on what happened and is still happening when Western culture meets, in this case, Chinese heritage. Whether it's about the conflict between religions or just another student struggling to fit in at school, his writing is a valued perspective in a fun format.

Information and learning are power. By loving books or at least being open to them, we bibliophiles take in so much information, even when we're just reading for fun. Why not take that opportunity to read books that will teach you something while still giving you that high point that comes when you want to know what happens next and you're in love with all the characters and you've been caught up in a world and a conflict that's not your won?

Gene Luen Yang is the National Ambassador for Young People's literature, and he's challenged us bookworms (especially the ones who read middle grade and YA lit) to the Reading Without Walls challenge. To celebrate the sheer awesomeness of this challenge, I made mini book lists for each of the three suggestions that are part the challenge.

1. Read a book about someone who doesn't look like you or doesn't live like you. (Race, sexuality, creed, gender, location, class, physical and mental ability, on and on! There are so many ways to experience the world.)
2. Read a book about a topic you don't know about. (Even if you call yourself a humanities person, you'll need to learn about the world to write your novels (or poems, or interpretative dances). Read about science: how to raise bees, the mythology of the planets, optical illusions. Read about history: great queens, the quirky people who were just like us. Not a nonfiction person? Read a book where the main character works stage crew, or does ballet.  What we don't know is huge.)
3. Read a format you don't usually read. (Read some poetry, if you're a prose person. Read a graphic novel, even if you think they're too easy. Listen to an audiobook, if you usually skim the words or if you can't imagine what an accent sounds like.)

Booklist to come! Happy reading (or listening),
~Citali

Thursday, April 20, 2017

Dandelions and Dragons: Webcomic Fluff Dump

I've (Citali) been reading more webcomics lately! Here's my list + spiels.

1. Flowerpot: "A story about a boy who grows dandelions from his head because of a mysterious disease, and all the problems that entails. Ten years ago, Ben was the first person to be infected by a strange disease that causes flowers to grow from his body every spring and summer.  In a world where flowers have become frightening, Ben has come to accept that most people will want to keep their distance from his dandelions.  However, when an enthusiastic photographer arrives out of the blue and asks Ben to be a part of his project, Ben begins to discover what being a “flowerpot” really means."

Ben is Patient Zero for fleurine, a recent illness that causes flowers to grow from his hair. Flowers are feared as carriers of the infectious disease, and "flowerpots" like Ben must guard against people's prejudices. A fluffy comic with lots of friendship and flowers, not to mention some succulents, annoying relatives, and cuddly friends.

Some swearing (Eileen can get angry).

Read here: http://flowerpot-comic.tumblr.com/post/136451157935/flowerpot-title-page-extra-fleurine-pamplet

2. Always Human: "This is a story about nanobots, genetic engineering, and two girls falling in love. No matter how technology changes us, we'll always be human."

Sunati's always admired the one girl she always sees at the train station without any "mods," or genetic modifications like the ones she's always used to. Then she finds out the reason Austen isn't modding is because she can't; she has a syndrome that prevents her from living like everyone else does. Also super fluffy with friendship, representation to the nines, real-world problems (stress! failure! feeling like an impostor!). A watercolor art style that's super calming.

Some swearing in Spanish (from Austen).

Read here: http://www.webtoons.com/en/romance/always-human/1-i-guess-thats-why-i-admire-her/viewer?title_no=557&episode_no=1

3. Tea Dragon Society: "The Tea Dragon Society is about a young blacksmith apprentice, Greta, who is learning her craft but isn’t entirely sure what use it has in modern society. When she encounters a tea dragon and becomes closer to those who raise them and grow their tea, she learns about the dying art form and how it enriches the lives of those she meets—and eventually her own. With the experiences and the memories she makes, she begins to wonder if there’s a value in craft all of its own."

A soft lineless fantasy style: tea dragons are a notoriously finicky breed, treasured for their priceless tea. When Greta, a blacksmith's daughter who's more compassionate than plucky, rescues a jasmine green dragon, she learns about the wise elder Hesekiel and his old friend Erik who raise them. The fluffiest thing I've ever read—super calming, cute art, and worldbuilding to the nines!

Super family friendly, great for anyone at all who needs more cuddly dragons in their lives.

Read here: http://teadragonsociety.com/comic/chapter-1/

4. Mooncakes: "Long-lost childhood crushes Nova Huang and Tam Lang have reunited for the first time in ten years. They have a lot more to deal with this time than just being the only two Asian kids in school (who also happen to both have magical abilities). The comic focuses on their relationship as they struggle through bills, family, and weird horse demons in ways that only a witch and a werewolf can."

Super cool to find urban fantasy that's not grimdark and edgy! The worldbuilding in this one is great: the witchy bookstore that Nova's grandmothers own, Nova's own stellar fashion sense, the art style in general! It's a classic comics line style. Not to mention how diverse it is! As it's shaping up, it looks like this will be a fun fantasy adventure with a tinge of romance. Super diverse too: hard of hearing, LGBT+, and Asian American (!) characters galore!

A few swear words.

Read here: http://mooncakesomic.tumblr.com/

--

Yes, I read a lot of fluff. That's what comics are to me: they're short, so they're mostly for rereading value. I love the characters and the worlds, and I want everyone to have a happy ending! It's perfect for scrolling through on a bad day.

Happy reading!
~Citali

Friday, April 14, 2017

BILL BILL BILL BILL (No, Not That One)

Hey, guys! It's Willow here, and after 2 years, I'm jumping right back into Doctor Who.

As some of you might know, Doctor Who's 10th season starts this Saturday (April 15th).

Normally, I wouldn't make a whole entire post just to talk about a new season of a show, but this season? This season is special.

For one, it's the last season of both Peter Capaldi (the 12th Doctor) and showrunner Steven Moffat.
(I won't pretend I'm not glad to see Moffat go, but that's a story for another time.)

It's also the introduction of a new companion: BILL POTTS.

I barely know anything about Bill (played by Pearl Mackie), but I love her already.

Why? Well.


  • She's no one special. She's not Clara Oswald, the Impossible Girl, woven into the Doctor's timeline and his hearts. She's just an ordinary human being who's been given an extraordinary opportunity.
  • Doctor Who, here, is returning to its roots. At its core, it is a show about (ironic though it seems) humanity, about how normal people can do incredible things if you just give them the chance.
  • It hasn't exactly adhered to that standard recently, though. Ever since Moffat took over as showrunner (from the inimitable Russel T. Davies), the show has gotten ever more convoluted and its characters more ~special~. In my opinion, it's too much. I, for one, miss the simplicity, the humanity of RTD-era Who, and I know I'm not the only one who does. So of course I'm glad the show's going back to where it started.
  • Bill is New Who's second POC companion-- third, if you count Mickey Smith. I can't stress enough the importance of diversity in media, and Bill is an important step forward.
  • She's also openly gay, and the first companion to be so. Once again: diversity. To have one of the show's main characters be both POC and LGBT+ is an incredible milestone. (She's not the first LGBT+ character on the show*, but she's the first gay companion.) (*Jack Harkness, Madame Vastra, Jenny, River Song, Clara Oswald, etc.)
Judging from the trailer, it's going to be a somewhat more light-hearted season, one that's focused on misadventures throughout spacetime rather than destiny and ominous prophecies. I'm also excited to see the return of John Simm's the Master, and how he interacts with Capaldi's Doctor and Michelle Gomez's Missy. 

All in all, this season looks to be absolutely ~fabulous~ so far, and I can't wait to watch it!

Happy watching,
Willow

Thursday, April 6, 2017

Solarpunk

Hey guys! We're back from a bit of a hiatus. We're announcing a new schedule: we'll try to send out a new post to you all every Thursday (or at least once a week), even to just check in. Hope to see you all a bit more!

Can I talk about science fiction for a bit? Not the Victorian original science fiction mixed with fantasy that is steampunk. Not the robots and distant universes that is classic sci-fi. Not the artificial intelligences and spaceships that is space opera. Not the dictatorships and near futures that is dystopia. But the science fiction that is solar panels and art and rebellion in a beautiful way and in a gritty way that is solarpunk, also known as one of the leading subgenres of optimistic fiction and science fiction. 

I've written a little about solarpunk before. But what exactly is it?

It's a subgenre of sci-fi that's mostly still in ideological stages—unlike other genres who can clearly point to a founding author, the nature of solarpunk is that its inspiration comes from lots of varied authors: Nnedi Okorafor's afrofuturism, Ernest Callenbach's environmental utopia, Alaya Dawn Johnson's Brazilian monarchy, Neal Stephenson's optimistic principle-based sci-fi. A few founding anthologies such as Wings of Renewal and Hieroglyph have been produced, but not much more than that.

Personally, I see solarpunk as an optimistic, aesthetic sci-fi—not built on flat white male characters like Jules Verne's classics, not as dark or pessimistic as The Hunger Games or Divergent, and more technologically advanced and responsible than the classic '50s sci-fi of, say, Philip K. Dick's Do Androids Dream of Electric Sheep or the I, Robot works of Isaac Asimov. 

The idea is that it's a futuristic world that we can begin building now: embracing the valuable, diverse current cultures and the complexities of current issues and incorporating that kind of responsibility into mainstream society in a way that's still a reachable standard today. 

What I find most interesting about solarpunk's emergence is that its two founding documents, so to speak, are 1) a series of images of solarpunk fashion and architecture, created by an artist and 2) a political philosophy drafted by a member of Arizona State University's Center for Science and the Imagination. In other words, this genre is built on ideas by people from what others might call the opposite ends of the academic spectrum. 

Members of the solarpunk community now write anthologies; cosplay solarpunk fashion; make art; write fantasy and sci-fi taking place within a solarpunk world; ponder how society today would change in a more ideal solarpunk world; share experimental science that could have futuristic applications; and figure out how we can work today to make our world a little bit more optimistic and a little bit, dare I say, prettier. 

The political side of solarpunk: social justice for everyone. The world today isn't the ideal, and there are things that we can change to make it closer to one. How would whole systems change to ensure the rights of girls, the poor, the disadvantaged, the disenfranchised? How would income work in a world where robots could do the manual labor and where the sun and the wind and possibly some photosynthetic algae could give us endless energy? What about the educational system, charity work, democracy? How could the system be changed to "make scientists heroes again"?

It might seem like fluff or utopia, but solarpunk is the punk-rock response to today's world and today's fiction. In a world where the mainstream is discouraging radical diversity and love, acknowledging problems—and more importantly, their solutions—and living hopefully is the rebellion.

Solarpunk is something that I love because I can stretch it, and because there's more than just writing advice in the community. I want to read a story about a way to build a city without coal or carbon dioxide—then be directed to a link about how people are building it now. I want to read colorful stories about dragons with solar-panel wings and helicopters running on biofuel—in the same universe. I want to see characters who look like me and with backstories like my parents', written by an author who looks like me and my parents. I want to be part of a community where the #solarpunk tag has art and cosplay and photos and exposés and research and writing, whether it's fantasy or sci-fi or could take place in my neighbor's backyard right now without me having a clue. I love solarpunk because it's being built right now, and I'm having a tiny part in that.

Happy reading,
~Citali

Sunday, April 2, 2017

ICBD 2017

Salutations! Our apologies from having been away from the blog for a bit. I promise we haven't left this corner of the internet behind!

Happy April 2! It's fitting that the day after the good-natured (hopefully) fun of April Fool's Day is a day honoring the good-natured, hopeful, and good-clean-fun world of children's literature--International Children's Book Day!

The date, though, isn't related to April Fool's; it honors the birthday of Hans Christian Andersen, classic fairy-tale author.

Whether you're of board-book, picture-book, chapter-book, or middle-grade, or whether you've moved past the children's section to YA or beyond, I for one owe so much of my book-loving, fandom-crazy, "unironially enthusiastic" identity to the books I read and was read from that perfect children's sections. To those books, those authors, and their supporters--happy ICBD 17!

Happy reading!
~Citali

Friday, January 27, 2017

Star Wars Has a Women of Color Issue

Hey, everyone. Willow here! The title of this post is fairly self-explanatory, so. Yeah.

A month or so ago, Rogue One: A Star Wars Story was released. Citali and I went to watch it together, and came out trembling, emotional, in awe.

What makes Rogue One so great is that not only is it gorgeously written, it's also infinitely more diverse than any Star Wars movie has ever been.

Only one of the protagonists was white. The others-- each with a fleshed-out story arc and excellent characterization-- were all men of color. 

Excellent!

But.

The white character was Jyn Erso, only female lead and arguably the main character.

Look. Every time there has been a new Star Wars story, the main female character has been white.

Padmé Amidala. Leia Organa. Rey. And now, Jyn.

Star Wars has a WOC issue. Namely: there are none.

But Willow, you say. What about Steela Gerrera? Or Depa Billaba? Or Korr Sella? Or Breha Organa? Or--

Well, my dear reader, what do all those women have in common? Oh, that's right. They're all minor characters. And they're all dead.

Fine. But what about Sana Starros? Or that one Rebel from Rogue One?

Hmmm. Tell me, if you go up to a hundred random people, how many of them do you think would recognize the name "Sana Starros"?

The galaxy of Star Wars is bigger than just the movies, yes. There are animated TV shows and books and comics galore, but here's the thing. The movies are the most important part. They're the franchise's biggest, most popular branch. 

If you want diversity in Star Wars, you need it in the movies. And I'm not saying that Finn and Poe and Chirrut and Baze and Cassian and Bodhi aren't helping, but we need our WOC too.

So give me a Calrissian daughter, or Finn's mother, or Poe's cousin. Give me WOC Jedi and WOC Sith and WOC pilots and stormtroopers and civilians and bounty hunters. Give me queer WOC characters and trans WOC characters and old WOC and young WOC and--

Well. You get my point, no?

Willow